Noel Rosa 1 [instrumental] – Meu Sofrer (Queixumes) – Scores in C, B♭, and E♭. Audio tracks.

$ 12.00

Meu Sofrer (Queixumes), by Noel Rosa & Henrique Brito, from the songbook “Noel Rosa 1 [instrumental].” Scores for instruments in C, B♭ and E♭. Full track with solo by Alexandre Ribeiro (clarinet).

Description

Meu Sofrer (Queixumes), by Noel Rosa & Henrique Brito, from the songbook “Noel Rosa 1 [instrumental].” Scores for instruments in C, B♭ and E♭. Full track with solo by Alexandre Ribeiro (clarinet).

Contents of this pack:

Audio full-track: solo and base music.

Audio playalong-track: base music.

Score in C/B♭/E♭: Melody with slash-notation for improvisation.

Score in C/B♭/E♭: Melody and transcription of improvisation by Alexandre Ribeiro.

Score in C/B♭/E♭: Transcription of 7-cordas by João Camarero and 6-cordas by Italo Peron.

About this book

It's almost 90 years since Noel Rosa's death, and we still see a gap in publications and recordings when it comes to Noel Rosa's music in purely instrumental form.

We conceived the publications in the “Noel Rosa instrumental” series in order to achieve the following objectives:

- To honor Noel Rosa's memory by recording and publishing his main hits from established arrangements, all in instrumental form.

- To document historical arrangements with transcriptions of melody, countermelody, bass and various improvisations. This is the case with Jacob do Bandolim's improvisations on the live recordings with Elizeth Cardoso and Dino 7-cordas, which until now had never been transcribed and published. In this volume 1 we have transcribed and performed the countermelody improvisations by Dante Santoro, Vivi, Jacob do Bandolim, Joel Nascimento, Paulo Moura, Radamés Gnatalli, among others.

- Allow musicians, students and amateurs to play Noel Rosa's main compositions on their instruments. We generated different versions of the same audio, removing solos and countermelodies so that you can play each part.

Another objective of this work was to dedicate short solo improvisation sessions to various songs in this songbook, which have been transcribed into separate scores so that they can be used as a reference.

The improvisation sessions are indicated in the scores with slash notation, and the countermelodies have been removed from the playback tracks in these segments. All the solo improvisations, performed by the masters Nailor Proveta and Alexandre Ribeiro, have been transcribed in dedicated scores.

The 7-string line, played by João Camarero and Israel Bueno, was also transcribed in a dedicated score.

Credits

Adaptations of well-known arrangements: Daniel Dalarossa and Italo Peron
Revisions and harmony transcriptions: Italo Peron
Transcriptions and score editing: Daniel Dalarossa
Mixing and mastering: Daniel Dalarossa
Recordings: Beto Mendonça (Estúdio 185 – SP – March and April of 2024)

Musicians:
Soloists:
Alexandre Ribeiro (clarinet), Nailor “Proveta” (clarinet).
“Último Desejo” choro ensemble:
Guta do Pandeiro (pandeiro), Israel Bueno de Almeida (7-string guitar), Marco Bertaglia (6-string guitar), Milton Mori (cavaquinho).
Choro ensemble in the other songs:
Henrique Araújo (cavaquinho), Italo Peron (6-string guitar), João Camarero (7-string guitar), Roberta Valente (pandeiro).
Countermelodies:
Daniel Dalarossa (flute, clarinet), Fábio Peron (mandolin).

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