Jacob do Bandolim 2 (2nd edition) – Doce de Coco – Cavaco pack and options

$ 1.45 – $ 2.45

(See “how to” suggestion below)

All the items below in a pack – $ 7.50

$ 2.45
$ 2.45
$ 1.45
$ 2.45
$ 2.45
SKU: JB2ed2-03-pkg-cav-group Category: Tags: , , , Composer: Song: Instrument:

Description

Choro ensemble

André Bellieny – 7-string guitar
Darly Guimarães – pandeiro
Márcio Almeida – 6-string guitar
Ubyratan de Oliveira – cavaquinho

Credits

Arrangements for the choro ensemble (base music): André Bellieny, Darly Guimarães, Márcio Almeida, Ubyratan de Oliveira and Daniel Dalarossa
Transcription and edition of scores: Daniel Dalarossa
Harmony transcription and revision: Italo Peron
Recording and editing: Ricardo Calafate (Estúdio Umuarama – RJ)
Mixing and mastering: Daniel Dalarossa
Recordings: Estúdio Umuarama (Rio de Janeiro, Brazil), and Estúdio 185 (São Paulo, Brazil)


Suggestion on how to use the accompaniment pack:

The accompaniment packs are basically a collection of audio tracks and music scores with an emphasis on a specific accompaniment instrument: cavaco, 6-string guitar or 7-string guitar.

For example, a cavaco pack contains:

  • audio track with pandeiro, cavaco and solo instrument
  • audio track with pandeiro and solo instrument
  • the full audio track with all instruments
  • audio track with all instruments except cavaco
  • C score with bass transcription for the choro

We have added the complete transcription of the 6-string guitar realization in a score (numbered chords, chord voicing and rhythm patterns, conventions, etc) to the 6-string guitar pack. We have included the tablature (TAB) to the score in addition to the formal musical notation.

1) Listen to the full track, following the score(s) to get acquainted with the choro form, harmony, breaks, dynamics, rhythm, conventions, etc.

2) With the audio containing only pandeiro, your instrument and solo, dive into the execution specifics of the instrument by the master player of our original recording. Lower the tempo, loop difficult segments, etc, until you get it. The volume of the solo instrument has been slightly decreased, so you can clearly observe all the nuances of the original instrument performance.

3) Now play the instrument part yourself with the pandeiro and solo track.

4) When you feel you have it in your fingers, you can use the track with all instruments minus the instrument to have the full experience.

It is important to mention that you will always find the best choro musicians and choro ensembles from Brazil in our recordings. You can see the bio and picture of the base musicians on this page.


André Bellieny

Self-taught, studied with Dino 7 cordas in 1994 and Luiz Otávio Braga in 1995. Founded Conjunto Sarau in 1997 with Bruno Rian (mandolin), Sérgio Prata (cavaquinho) and Agenor (pandeiro). Performed with band “Caluda Tamborins” in Mário Lago’s show “Causos e Canções” for 4 years. Bellieny has been playing with Regional Época de Ouro since 2005.

Darly Guimarães

Darly Ângelo Guimarães was born in 1935 (RJ) and passed away in 2010. At 17 was invited by pianist Cesar Cruz to join “Regional de Joao de Oliveira.” With the departure of Joao de Oliveira, Darly took over and the ensemble was named “Regional de Darly do pandeiro.” In 1964 left Radio Maua to join Radio Rio de Janeiro, staying there for about a year. Darly was the organizer of “Conjunto Esquema 6” and in 1978 joined Deo Rian’s regional “Noites Cariocas” where he stayed until his death.

Márcio Almeida

Born in Rio de Janeiro, started his professional career at 14 years old. In 1997 won two Sharp music awards (best CD and best ensemble) with the CD “Paulo Moura e os Batutas.” In 2000 won the Latin Grammy Award with the same CD. Recorded with Chico Buarque, Fundo de Quintal, Bezerra da Silva, Altamiro Carrilho, Paulo Moura, Beth Carvalho, Martinho da Vila, Zeca Pagodinho, Exalta Samba, Ivan Lins, Leila Pinheiro, Elba Ramalho, among others.

Ubyratan de Oliveira

Ubyratan Vitor de Oliveira, Bira, was born in 1939 in Rio de Janeiro. Self-taught, plays cavaquinho since 15 years of age. He was part of the Regional de Pernambuco do Pandeiro, along with Hermeto Pascoal, and later moved to Rádio Mauá, where he stayed for 10 years. Besides being a musician, Bira also worked as a radiotelegraphist at Panair, Varig and The Ministry of Agriculture. He joined “Regional de Déo Rian” replacing Marcio Hulk, who had left to play with Altamiro Carrilho.

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