Description
From the songbook “Ernesto Nazareth 1 (3rd edition).” Cover, choro ensemble musicians bio, what is choro?, short chronologic biography of the composer, what is his significance?, comments about the scores, a word about improvisation in choro, scores in C, B♭ or E♭.
Soloists
“Ameno Resedá” by Izaias do Bandolim (bandolim), “Apanhei-te, Cavaquinho!” by Daniel Dalarossa (flauta), “Odeon” by Daniel Dalarossa (flauta), “Eponina” by Daniel Dalarossa (flauta), “Escovado” by Daniel Dalarossa (flauta), “Está Chumbado” by Mário Sève (saxofone alto), “Expansiva” by Daniel Dalarossa (flauta), “Favorito” by Daniel Dalarossa (flauta), “Matuto” by Daniel Dalarossa (flauta), “Tenebroso” by Daniel Dalarossa (flauta), “Batuque” by Izaias do Bandolim (bandolim) and Daniel Dalarossa (flauta)
Choro ensemble
Arnaldinho do Cavaco – cavaquinho
Betinho Sodré – pandeiro
Edmilson Capelupi – 7-string guitar
Lula Gama – 6-string guitar
Credits
Arrangements and adaptations: Daniel Dalarossa, Roberta Marcinkowski and Tatiana Mazurek - except for “Batuque,” arranged by Daniel Dalarossa and Toninho Carrasqueira, and “Expansiva,” arranged by Toninho Carrasqueira
Arrangements for the choro ensemble (base music): Edmilson Capelupi
Transcription, edition and revision of scores: Roberta Marcinkowski and Tatiana Mazurek
Harmony transcription: Luca Raele, Roberta Marcincowski
Harmony revision: Marco Bertaglia
Transcription of the 7-string guitar: Daniel Dalarossa
Recording, editing and mixing: Aden Santos and Daniel Lanchinho
Mastering: Estúdio Sonic Máster, by Pedro Marin
Recordings: Cake Walk Estudio (São Paulo, Brazil), 510 Studios (Fremont, CA), Acceso Studio (Milpitas, CA), Song Writers Studio (Fremont, CA)
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