| Choro Playbacks https://choroplaybacks.com Reference in professional choro backing tracks Tue, 02 Apr 2024 01:55:36 +0000 en-US hourly 1 https://wordpress.org/?v=6.2.7 https://choroplaybacks.com/wp-content/uploads/2020/12/cropped-logocm-32x32.png | Choro Playbacks https://choroplaybacks.com 32 32 177472215 Waldir Azevedo 2 (2nd edition) – Delicado – 7-string guitar pack and options https://choroplaybacks.com/shop/waldir-azevedo-2-2nd-edition/waldir-azevedo-2-2nd-edition-delicado-7-string-guitar-pack-and-options/?utm_source=rss&utm_medium=rss&utm_campaign=waldir-azevedo-2-2nd-edition-delicado-7-string-guitar-pack-and-options Fri, 06 Aug 2021 16:00:12 +0000 https://choroplaybacks.com/shop/uncategorized/waldir-azevedo-2-2nd-edition-delicado-7-string-guitar-pack-and-options/ "how to" suggestion below)

All the items below in a pack – $ 7.50

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Choro ensemble

Adriano Busko – percussion
Getulio Ribeiro – cavaquinho
Israel Bueno de Almeida – 7-string guitar
Italo Peron – 6-string guitar

Suggestion on how to use the accompaniment pack:

The accompaniment packs are basically a collection of audio tracks and music scores with an emphasis on a specific accompaniment instrument: cavaco, 6-string guitar or 7-string guitar.

For example, a cavaco pack contains:

  • audio track with pandeiro, cavaco and solo instrument
  • audio track with pandeiro and solo instrument
  • the full audio track with all instruments
  • audio track with all instruments except cavaco
  • C score with bass transcription for the choro

We have added the complete transcription of the 6-string guitar realization in a score (numbered chords, chord voicing and rhythm patterns, conventions, etc) to the 6-string guitar pack. We have included the tablature (TAB) to the score in addition to the formal musical notation.

1) Listen to the full track, following the score(s) to get acquainted with the choro form, harmony, breaks, dynamics, rhythm, conventions, etc.

2) With the audio containing only pandeiro, your instrument and solo, dive into the execution specifics of the instrument by the master player of our original recording. Lower the tempo, loop difficult segments, etc, until you get it. The volume of the solo instrument has been slightly decreased, so you can clearly observe all the nuances of the original instrument performance.

3) Now play the instrument part yourself with the pandeiro and solo track.

4) When you feel you have it in your fingers, you can use the track with all instruments minus the instrument to have the full experience.

It is important to mention that you will always find the best choro musicians and choro ensembles from Brazil in our recordings. You can see the bio and picture of the base musicians on this page.

Israel Bueno de Almeida

Instrumentalist, arranger and composer Israel Bueno de Almeira was born in São Paulo and mainly performs with the oldest instrumental group in the city, “Izaias e seus Chorões.” Israel combines his experience in Brazilian popular music to his classical training in classical guitar he obtained at “Conservatório Dramático e Musical de São Paulo.” He appeared in recordings of about twenty LPs and CDs, as instrumentalist and arranger with the most important musicians of Brazil.

Italo Peron

Italo Peron, musical producer, violinist, arranger and composer, has been working since 1980 on his own projects as well as those of other artists, including Paulo Vanzolini, Francis Hime, Carlinhos Vergueiro, Diana Pequeno and Robert Miranda, among others. Peron’s projects involve the creation, arrangement and recording of jingles, soundtracks and albums, and he’s completed over 200 titles. In 2009 he served as musical director for the Brazilian documentary Um Homem de Moral (‘A man of morals’), about the composer Paulo Vanzolini.

Arnaldinho do Cavaco

Multi-instrumentalist (acoustic guitar, cavaquinho, 7-string guitar and mandolin), arranger and composer, he began his musical career participating in choro jams with his father and considers Luizinho 7-cordas from São Paulo to be the decisive character in his musical education. Gives guitar and cavaco lessons and organizes the traditional choro jam on Saturdays at Contemporânea Instrumentos in São Paulo.

Adriano Busko

Adriano Busko has been a percussionist since 1980. He studied drums and percussion with Master Dinho Gonçalves at the Paulista Academy of Music, where he was a student of Jose Eduardo Nazario. He holds a degree in Music from UNIMES Virtual. He has worked alongside Luiz Gonzaga, Geraldo Filme, Paulo Moura, Dominguinhos, Elton Medeiros, Emilinha Borba, Paulo Vanzolini, Renato Anesi, Pery Ribeiro, Maria Alcina, Carmen Costa, and Miltinho, among others.

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6819
Waldir Azevedo 2 (2nd edition) – Delicado – 6-string guitar pack and options https://choroplaybacks.com/shop/waldir-azevedo-2-2nd-edition/waldir-azevedo-2-2nd-edition-delicado-6-string-guitar-pack-and-options/?utm_source=rss&utm_medium=rss&utm_campaign=waldir-azevedo-2-2nd-edition-delicado-6-string-guitar-pack-and-options Fri, 06 Aug 2021 16:00:11 +0000 https://choroplaybacks.com/shop/uncategorized/waldir-azevedo-2-2nd-edition-delicado-6-string-guitar-pack-and-options/ "how to" suggestion below)

All the items below in a pack – $ 12.50

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Choro ensemble

Adriano Busko – percussion
Getulio Ribeiro – cavaquinho
Israel Bueno de Almeida – 7-string guitar
Italo Peron – 6-string guitar

Suggestion on how to use the accompaniment pack:

The accompaniment packs are basically a collection of audio tracks and music scores with an emphasis on a specific accompaniment instrument: cavaco, 6-string guitar or 7-string guitar.

For example, a cavaco pack contains:

  • audio track with pandeiro, cavaco and solo instrument
  • audio track with pandeiro and solo instrument
  • the full audio track with all instruments
  • audio track with all instruments except cavaco
  • C score with bass transcription for the choro

We have added the complete transcription of the 6-string guitar realization in a score (numbered chords, chord voicing and rhythm patterns, conventions, etc) to the 6-string guitar pack. We have included the tablature (TAB) to the score in addition to the formal musical notation.

1) Listen to the full track, following the score(s) to get acquainted with the choro form, harmony, breaks, dynamics, rhythm, conventions, etc.

2) With the audio containing only pandeiro, your instrument and solo, dive into the execution specifics of the instrument by the master player of our original recording. Lower the tempo, loop difficult segments, etc, until you get it. The volume of the solo instrument has been slightly decreased, so you can clearly observe all the nuances of the original instrument performance.

3) Now play the instrument part yourself with the pandeiro and solo track.

4) When you feel you have it in your fingers, you can use the track with all instruments minus the instrument to have the full experience.

It is important to mention that you will always find the best choro musicians and choro ensembles from Brazil in our recordings. You can see the bio and picture of the base musicians on this page.

Israel Bueno de Almeida

Instrumentalist, arranger and composer Israel Bueno de Almeira was born in São Paulo and mainly performs with the oldest instrumental group in the city, “Izaias e seus Chorões.” Israel combines his experience in Brazilian popular music to his classical training in classical guitar he obtained at “Conservatório Dramático e Musical de São Paulo.” He appeared in recordings of about twenty LPs and CDs, as instrumentalist and arranger with the most important musicians of Brazil.

Italo Peron

Italo Peron, musical producer, violinist, arranger and composer, has been working since 1980 on his own projects as well as those of other artists, including Paulo Vanzolini, Francis Hime, Carlinhos Vergueiro, Diana Pequeno and Robert Miranda, among others. Peron’s projects involve the creation, arrangement and recording of jingles, soundtracks and albums, and he’s completed over 200 titles. In 2009 he served as musical director for the Brazilian documentary Um Homem de Moral (‘A man of morals’), about the composer Paulo Vanzolini.

Arnaldinho do Cavaco

Multi-instrumentalist (acoustic guitar, cavaquinho, 7-string guitar and mandolin), arranger and composer, he began his musical career participating in choro jams with his father and considers Luizinho 7-cordas from São Paulo to be the decisive character in his musical education. Gives guitar and cavaco lessons and organizes the traditional choro jam on Saturdays at Contemporânea Instrumentos in São Paulo.

Adriano Busko

Adriano Busko has been a percussionist since 1980. He studied drums and percussion with Master Dinho Gonçalves at the Paulista Academy of Music, where he was a student of Jose Eduardo Nazario. He holds a degree in Music from UNIMES Virtual. He has worked alongside Luiz Gonzaga, Geraldo Filme, Paulo Moura, Dominguinhos, Elton Medeiros, Emilinha Borba, Paulo Vanzolini, Renato Anesi, Pery Ribeiro, Maria Alcina, Carmen Costa, and Miltinho, among others.

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6818
Waldir Azevedo 2 (2nd edition) – Delicado – Cavaco pack and options https://choroplaybacks.com/shop/waldir-azevedo-2-2nd-edition/waldir-azevedo-2-2nd-edition-delicado-cavaco-pack-and-options/?utm_source=rss&utm_medium=rss&utm_campaign=waldir-azevedo-2-2nd-edition-delicado-cavaco-pack-and-options Fri, 06 Aug 2021 16:00:10 +0000 https://choroplaybacks.com/shop/uncategorized/waldir-azevedo-2-2nd-edition-delicado-cavaco-pack-and-options/ "how to" suggestion below)

All the items below in a pack – $ 7.50

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Choro ensemble

Adriano Busko – percussion
Getulio Ribeiro – cavaquinho
Israel Bueno de Almeida – 7-string guitar
Italo Peron – 6-string guitar

Suggestion on how to use the accompaniment pack:

The accompaniment packs are basically a collection of audio tracks and music scores with an emphasis on a specific accompaniment instrument: cavaco, 6-string guitar or 7-string guitar.

For example, a cavaco pack contains:

  • audio track with pandeiro, cavaco and solo instrument
  • audio track with pandeiro and solo instrument
  • the full audio track with all instruments
  • audio track with all instruments except cavaco
  • C score with bass transcription for the choro

We have added the complete transcription of the 6-string guitar realization in a score (numbered chords, chord voicing and rhythm patterns, conventions, etc) to the 6-string guitar pack. We have included the tablature (TAB) to the score in addition to the formal musical notation.

1) Listen to the full track, following the score(s) to get acquainted with the choro form, harmony, breaks, dynamics, rhythm, conventions, etc.

2) With the audio containing only pandeiro, your instrument and solo, dive into the execution specifics of the instrument by the master player of our original recording. Lower the tempo, loop difficult segments, etc, until you get it. The volume of the solo instrument has been slightly decreased, so you can clearly observe all the nuances of the original instrument performance.

3) Now play the instrument part yourself with the pandeiro and solo track.

4) When you feel you have it in your fingers, you can use the track with all instruments minus the instrument to have the full experience.

It is important to mention that you will always find the best choro musicians and choro ensembles from Brazil in our recordings. You can see the bio and picture of the base musicians on this page.

Israel Bueno de Almeida

Instrumentalist, arranger and composer Israel Bueno de Almeira was born in São Paulo and mainly performs with the oldest instrumental group in the city, “Izaias e seus Chorões.” Israel combines his experience in Brazilian popular music to his classical training in classical guitar he obtained at “Conservatório Dramático e Musical de São Paulo.” He appeared in recordings of about twenty LPs and CDs, as instrumentalist and arranger with the most important musicians of Brazil.

Italo Peron

Italo Peron, musical producer, violinist, arranger and composer, has been working since 1980 on his own projects as well as those of other artists, including Paulo Vanzolini, Francis Hime, Carlinhos Vergueiro, Diana Pequeno and Robert Miranda, among others. Peron’s projects involve the creation, arrangement and recording of jingles, soundtracks and albums, and he’s completed over 200 titles. In 2009 he served as musical director for the Brazilian documentary Um Homem de Moral (‘A man of morals’), about the composer Paulo Vanzolini.

Arnaldinho do Cavaco

Multi-instrumentalist (acoustic guitar, cavaquinho, 7-string guitar and mandolin), arranger and composer, he began his musical career participating in choro jams with his father and considers Luizinho 7-cordas from São Paulo to be the decisive character in his musical education. Gives guitar and cavaco lessons and organizes the traditional choro jam on Saturdays at Contemporânea Instrumentos in São Paulo.

Adriano Busko

Adriano Busko has been a percussionist since 1980. He studied drums and percussion with Master Dinho Gonçalves at the Paulista Academy of Music, where he was a student of Jose Eduardo Nazario. He holds a degree in Music from UNIMES Virtual. He has worked alongside Luiz Gonzaga, Geraldo Filme, Paulo Moura, Dominguinhos, Elton Medeiros, Emilinha Borba, Paulo Vanzolini, Renato Anesi, Pery Ribeiro, Maria Alcina, Carmen Costa, and Miltinho, among others.

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6817
Pixinguinha (3rd edition) – Os Cinco Companheiros – 7-string guitar pack and options https://choroplaybacks.com/shop/pixinguinha-3rd-edition/pixinguinha-3rd-edition-os-cinco-companheiros-7-string-guitar-pack-and-options/?utm_source=rss&utm_medium=rss&utm_campaign=pixinguinha-3rd-edition-os-cinco-companheiros-7-string-guitar-pack-and-options Wed, 14 Jul 2021 21:53:09 +0000 https://choroplaybacks.com/shop/uncategorized/pixinguinha-3rd-edition-os-cinco-companheiros-7-string-guitar-pack-and-options/ "how to" suggestion below)

All the items below in a pack – $ 7.50

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Choro ensemble

Alessandro Cardozo – cavaquinho
Charlles da Costa – 6-string guitar
Netinho Albuquerque – pandeiro
Paulão (7 cordas) – 7-string guitar

Suggestion on how to use the accompaniment pack:

The accompaniment packs are basically a collection of audio tracks and music scores with an emphasis on a specific accompaniment instrument: cavaco, 6-string guitar or 7-string guitar.

For example, a cavaco pack contains:

  • audio track with pandeiro, cavaco and solo instrument
  • audio track with pandeiro and solo instrument
  • the full audio track with all instruments
  • audio track with all instruments except cavaco
  • C score with bass transcription for the choro

We have added the complete transcription of the 6-string guitar realization in a score (numbered chords, chord voicing and rhythm patterns, conventions, etc) to the 6-string guitar pack. We have included the tablature (TAB) to the score in addition to the formal musical notation.

1) Listen to the full track, following the score(s) to get acquainted with the choro form, harmony, breaks, dynamics, rhythm, conventions, etc.

2) With the audio containing only pandeiro, your instrument and solo, dive into the execution specifics of the instrument by the master player of our original recording. Lower the tempo, loop difficult segments, etc, until you get it. The volume of the solo instrument has been slightly decreased, so you can clearly observe all the nuances of the original instrument performance.

3) Now play the instrument part yourself with the pandeiro and solo track.

4) When you feel you have it in your fingers, you can use the track with all instruments minus the instrument to have the full experience.

It is important to mention that you will always find the best choro musicians and choro ensembles from Brazil in our recordings. You can see the bio and picture of the base musicians on this page.

Paulão 7 cordas

Paulo Roberto Pereira Araújo started his musical studies as a child. In 1976 joined the ensemble of the mandolinist Walter Moura as a guitar player and later on as a 7-string guitar player. In 1980 he joined the ensemble “Naquele Tempo,” and participated in recordings and shows with great samba players in Rio de Janeiro. In the 1990s he became producer and artistic director of CDs, DVDs and shows. Paulão 7 cordas is currently the musical director and guitar player of the singer and composer Zeca Pagodinho.

Charles da Costa

Guitar player and member of Silvério Pontes and Zé da Velha choro ensemble for more than 10 years. In the last 7 years, Charles has been accompanying singer and composer Luiz Melodia in tours in Brazil and abroad and participated in the last CD and DVD of Luiz Melodia called “Estação Melodia.” Charles had the opportunity to play with Beth Carvalho, Grupo Fundo de Quintal and Elza Soares, among others.

Alessandro Cardozo

Cavaquinho player and composer, Alessandro started his career at 8 years old. For more than 10 years he has been actively playing with Zé da Velha (trombone) and Silvério Pontes (trumpet). In the last 7 years, Alessandro has been accompanying singer and composer Luiz Melodia in tours in Brazil and abroad and participated in the last CD and DVD of Luiz Melodia called “Estação Melodia.” Alessandro has played with Beth Carvalho, Grupo Fundo de Quintal and Elza Soares, among others.

Netinho Albuquerque

Born in Duque de Caxias (state of RJ), Netinho is the nephew of master Jorginho do Pandeiro, who has also been his professor. He started playing the pandeiro at age 13 and from that point on, has played with many groups and singers such as: Dna. Ivone Lara, Luiz Melodia, Guilherme de Brito, Ademilde Fonseca, Violeta Cavalcante, Beth Carvalho, Conjunto Época de Ouro, Nó em pingo D’Água and Elton Medeiros, among others.

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6555
Pixinguinha (3rd edition) – Os Cinco Companheiros – 6-string guitar pack and options https://choroplaybacks.com/shop/pixinguinha-3rd-edition/pixinguinha-3rd-edition-os-cinco-companheiros-6-string-guitar-pack-and-options/?utm_source=rss&utm_medium=rss&utm_campaign=pixinguinha-3rd-edition-os-cinco-companheiros-6-string-guitar-pack-and-options Wed, 14 Jul 2021 21:53:07 +0000 https://choroplaybacks.com/shop/uncategorized/pixinguinha-3rd-edition-os-cinco-companheiros-6-string-guitar-pack-and-options/ "how to" suggestion below)

All the items below in a pack – $ 12.50

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Choro ensemble

Alessandro Cardozo – cavaquinho
Charlles da Costa – 6-string guitar
Netinho Albuquerque – pandeiro
Paulão (7 cordas) – 7-string guitar

Suggestion on how to use the accompaniment pack:

The accompaniment packs are basically a collection of audio tracks and music scores with an emphasis on a specific accompaniment instrument: cavaco, 6-string guitar or 7-string guitar.

For example, a cavaco pack contains:

  • audio track with pandeiro, cavaco and solo instrument
  • audio track with pandeiro and solo instrument
  • the full audio track with all instruments
  • audio track with all instruments except cavaco
  • C score with bass transcription for the choro

We have added the complete transcription of the 6-string guitar realization in a score (numbered chords, chord voicing and rhythm patterns, conventions, etc) to the 6-string guitar pack. We have included the tablature (TAB) to the score in addition to the formal musical notation.

1) Listen to the full track, following the score(s) to get acquainted with the choro form, harmony, breaks, dynamics, rhythm, conventions, etc.

2) With the audio containing only pandeiro, your instrument and solo, dive into the execution specifics of the instrument by the master player of our original recording. Lower the tempo, loop difficult segments, etc, until you get it. The volume of the solo instrument has been slightly decreased, so you can clearly observe all the nuances of the original instrument performance.

3) Now play the instrument part yourself with the pandeiro and solo track.

4) When you feel you have it in your fingers, you can use the track with all instruments minus the instrument to have the full experience.

It is important to mention that you will always find the best choro musicians and choro ensembles from Brazil in our recordings. You can see the bio and picture of the base musicians on this page.

Paulão 7 cordas

Paulo Roberto Pereira Araújo started his musical studies as a child. In 1976 joined the ensemble of the mandolinist Walter Moura as a guitar player and later on as a 7-string guitar player. In 1980 he joined the ensemble “Naquele Tempo,” and participated in recordings and shows with great samba players in Rio de Janeiro. In the 1990s he became producer and artistic director of CDs, DVDs and shows. Paulão 7 cordas is currently the musical director and guitar player of the singer and composer Zeca Pagodinho.

Charles da Costa

Guitar player and member of Silvério Pontes and Zé da Velha choro ensemble for more than 10 years. In the last 7 years, Charles has been accompanying singer and composer Luiz Melodia in tours in Brazil and abroad and participated in the last CD and DVD of Luiz Melodia called “Estação Melodia.” Charles had the opportunity to play with Beth Carvalho, Grupo Fundo de Quintal and Elza Soares, among others.

Alessandro Cardozo

Cavaquinho player and composer, Alessandro started his career at 8 years old. For more than 10 years he has been actively playing with Zé da Velha (trombone) and Silvério Pontes (trumpet). In the last 7 years, Alessandro has been accompanying singer and composer Luiz Melodia in tours in Brazil and abroad and participated in the last CD and DVD of Luiz Melodia called “Estação Melodia.” Alessandro has played with Beth Carvalho, Grupo Fundo de Quintal and Elza Soares, among others.

Netinho Albuquerque

Born in Duque de Caxias (state of RJ), Netinho is the nephew of master Jorginho do Pandeiro, who has also been his professor. He started playing the pandeiro at age 13 and from that point on, has played with many groups and singers such as: Dna. Ivone Lara, Luiz Melodia, Guilherme de Brito, Ademilde Fonseca, Violeta Cavalcante, Beth Carvalho, Conjunto Época de Ouro, Nó em pingo D’Água and Elton Medeiros, among others.

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6554
Pixinguinha (3rd edition) – Os Cinco Companheiros – Cavaco pack and options https://choroplaybacks.com/shop/pixinguinha-3rd-edition/pixinguinha-3rd-edition-os-cinco-companheiros-cavaco-pack-and-options/?utm_source=rss&utm_medium=rss&utm_campaign=pixinguinha-3rd-edition-os-cinco-companheiros-cavaco-pack-and-options Wed, 14 Jul 2021 21:52:00 +0000 https://choroplaybacks.com/shop/uncategorized/pixinguinha-3rd-edition-os-cinco-companheiros-cavaco-pack-and-options/ "how to" suggestion below)

All the items below in a pack – $ 7.50

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Choro ensemble

Alessandro Cardozo – cavaquinho
Charlles da Costa – 6-string guitar
Netinho Albuquerque – pandeiro
Paulão (7 cordas) – 7-string guitar

Suggestion on how to use the accompaniment pack:

The accompaniment packs are basically a collection of audio tracks and music scores with an emphasis on a specific accompaniment instrument: cavaco, 6-string guitar or 7-string guitar.

For example, a cavaco pack contains:

  • audio track with pandeiro, cavaco and solo instrument
  • audio track with pandeiro and solo instrument
  • the full audio track with all instruments
  • audio track with all instruments except cavaco
  • C score with bass transcription for the choro

We have added the complete transcription of the 6-string guitar realization in a score (numbered chords, chord voicing and rhythm patterns, conventions, etc) to the 6-string guitar pack. We have included the tablature (TAB) to the score in addition to the formal musical notation.

1) Listen to the full track, following the score(s) to get acquainted with the choro form, harmony, breaks, dynamics, rhythm, conventions, etc.

2) With the audio containing only pandeiro, your instrument and solo, dive into the execution specifics of the instrument by the master player of our original recording. Lower the tempo, loop difficult segments, etc, until you get it. The volume of the solo instrument has been slightly decreased, so you can clearly observe all the nuances of the original instrument performance.

3) Now play the instrument part yourself with the pandeiro and solo track.

4) When you feel you have it in your fingers, you can use the track with all instruments minus the instrument to have the full experience.

It is important to mention that you will always find the best choro musicians and choro ensembles from Brazil in our recordings. You can see the bio and picture of the base musicians on this page.

Paulão 7 cordas

Paulo Roberto Pereira Araújo started his musical studies as a child. In 1976 joined the ensemble of the mandolinist Walter Moura as a guitar player and later on as a 7-string guitar player. In 1980 he joined the ensemble “Naquele Tempo,” and participated in recordings and shows with great samba players in Rio de Janeiro. In the 1990s he became producer and artistic director of CDs, DVDs and shows. Paulão 7 cordas is currently the musical director and guitar player of the singer and composer Zeca Pagodinho.

Charles da Costa

Guitar player and member of Silvério Pontes and Zé da Velha choro ensemble for more than 10 years. In the last 7 years, Charles has been accompanying singer and composer Luiz Melodia in tours in Brazil and abroad and participated in the last CD and DVD of Luiz Melodia called “Estação Melodia.” Charles had the opportunity to play with Beth Carvalho, Grupo Fundo de Quintal and Elza Soares, among others.

Alessandro Cardozo

Cavaquinho player and composer, Alessandro started his career at 8 years old. For more than 10 years he has been actively playing with Zé da Velha (trombone) and Silvério Pontes (trumpet). In the last 7 years, Alessandro has been accompanying singer and composer Luiz Melodia in tours in Brazil and abroad and participated in the last CD and DVD of Luiz Melodia called “Estação Melodia.” Alessandro has played with Beth Carvalho, Grupo Fundo de Quintal and Elza Soares, among others.

Netinho Albuquerque

Born in Duque de Caxias (state of RJ), Netinho is the nephew of master Jorginho do Pandeiro, who has also been his professor. He started playing the pandeiro at age 13 and from that point on, has played with many groups and singers such as: Dna. Ivone Lara, Luiz Melodia, Guilherme de Brito, Ademilde Fonseca, Violeta Cavalcante, Beth Carvalho, Conjunto Época de Ouro, Nó em pingo D’Água and Elton Medeiros, among others.

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6551
Jacob do Bandolim 2 (2nd edition) – Doce de Coco – 7-string guitar pack and options https://choroplaybacks.com/shop/jacob-do-bandolim-2-2nd-edition/jacob-do-bandolim-2-2nd-edition-doce-de-coco-7-string-guitar-pack-and-options/?utm_source=rss&utm_medium=rss&utm_campaign=jacob-do-bandolim-2-2nd-edition-doce-de-coco-7-string-guitar-pack-and-options Wed, 14 Jul 2021 21:51:55 +0000 https://choroplaybacks.com/shop/uncategorized/jacob-do-bandolim-2-2nd-edition-doce-de-coco-7-string-guitar-pack-and-options/ "how to" suggestion below)

All the items below in a pack – $ 7.50

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Choro ensemble

André Bellieny – 7-string guitar
Darly Guimarães – pandeiro
Márcio Almeida – 6-string guitar
Ubyratan de Oliveira – cavaquinho

Credits

Arrangements for the choro ensemble (base music): André Bellieny, Darly Guimarães, Márcio Almeida, Ubyratan de Oliveira and Daniel Dalarossa
Transcription and edition of scores: Daniel Dalarossa
Harmony transcription and revision: Italo Peron
Recording and editing: Ricardo Calafate (Estúdio Umuarama – RJ)
Mixing and mastering: Daniel Dalarossa
Recordings: Estúdio Umuarama (Rio de Janeiro, Brazil), and Estúdio 185 (São Paulo, Brazil)

Suggestion on how to use the accompaniment pack:

The accompaniment packs are basically a collection of audio tracks and music scores with an emphasis on a specific accompaniment instrument: cavaco, 6-string guitar or 7-string guitar.

For example, a cavaco pack contains:

  • audio track with pandeiro, cavaco and solo instrument
  • audio track with pandeiro and solo instrument
  • the full audio track with all instruments
  • audio track with all instruments except cavaco
  • C score with bass transcription for the choro

We have added the complete transcription of the 6-string guitar realization in a score (numbered chords, chord voicing and rhythm patterns, conventions, etc) to the 6-string guitar pack. We have included the tablature (TAB) to the score in addition to the formal musical notation.

1) Listen to the full track, following the score(s) to get acquainted with the choro form, harmony, breaks, dynamics, rhythm, conventions, etc.

2) With the audio containing only pandeiro, your instrument and solo, dive into the execution specifics of the instrument by the master player of our original recording. Lower the tempo, loop difficult segments, etc, until you get it. The volume of the solo instrument has been slightly decreased, so you can clearly observe all the nuances of the original instrument performance.

3) Now play the instrument part yourself with the pandeiro and solo track.

4) When you feel you have it in your fingers, you can use the track with all instruments minus the instrument to have the full experience.

It is important to mention that you will always find the best choro musicians and choro ensembles from Brazil in our recordings. You can see the bio and picture of the base musicians on this page.

André Bellieny

Self-taught, studied with Dino 7 cordas in 1994 and Luiz Otávio Braga in 1995. Founded Conjunto Sarau in 1997 with Bruno Rian (mandolin), Sérgio Prata (cavaquinho) and Agenor (pandeiro). Performed with band “Caluda Tamborins” in Mário Lago’s show “Causos e Canções” for 4 years. Bellieny has been playing with Regional Época de Ouro since 2005.

Darly Guimarães

Darly Ângelo Guimarães was born in 1935 (RJ) and passed away in 2010. At 17 was invited by pianist Cesar Cruz to join “Regional de Joao de Oliveira.” With the departure of Joao de Oliveira, Darly took over and the ensemble was named “Regional de Darly do pandeiro.” In 1964 left Radio Maua to join Radio Rio de Janeiro, staying there for about a year. Darly was the organizer of “Conjunto Esquema 6” and in 1978 joined Deo Rian’s regional “Noites Cariocas” where he stayed until his death.

Márcio Almeida

Born in Rio de Janeiro, started his professional career at 14 years old. In 1997 won two Sharp music awards (best CD and best ensemble) with the CD “Paulo Moura e os Batutas.” In 2000 won the Latin Grammy Award with the same CD. Recorded with Chico Buarque, Fundo de Quintal, Bezerra da Silva, Altamiro Carrilho, Paulo Moura, Beth Carvalho, Martinho da Vila, Zeca Pagodinho, Exalta Samba, Ivan Lins, Leila Pinheiro, Elba Ramalho, among others.

Ubyratan de Oliveira

Ubyratan Vitor de Oliveira, Bira, was born in 1939 in Rio de Janeiro. Self-taught, plays cavaquinho since 15 years of age. He was part of the Regional de Pernambuco do Pandeiro, along with Hermeto Pascoal, and later moved to Rádio Mauá, where he stayed for 10 years. Besides being a musician, Bira also worked as a radiotelegraphist at Panair, Varig and The Ministry of Agriculture. He joined “Regional de Déo Rian” replacing Marcio Hulk, who had left to play with Altamiro Carrilho.

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Jacob do Bandolim 2 (2nd edition) – Doce de Coco – 6-string guitar pack and options https://choroplaybacks.com/shop/jacob-do-bandolim-2-2nd-edition/jacob-do-bandolim-2-2nd-edition-doce-de-coco-6-string-guitar-pack-and-options/?utm_source=rss&utm_medium=rss&utm_campaign=jacob-do-bandolim-2-2nd-edition-doce-de-coco-6-string-guitar-pack-and-options Wed, 14 Jul 2021 21:51:47 +0000 https://choroplaybacks.com/shop/uncategorized/jacob-do-bandolim-2-2nd-edition-doce-de-coco-6-string-guitar-pack-and-options/ "how to" suggestion below)

All the items below in a pack – $ 12.50

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Choro ensemble

André Bellieny – 7-string guitar
Darly Guimarães – pandeiro
Márcio Almeida – 6-string guitar
Ubyratan de Oliveira – cavaquinho

Credits

Arrangements for the choro ensemble (base music): André Bellieny, Darly Guimarães, Márcio Almeida, Ubyratan de Oliveira and Daniel Dalarossa
Transcription and edition of scores: Daniel Dalarossa
Harmony transcription and revision: Italo Peron
Recording and editing: Ricardo Calafate (Estúdio Umuarama – RJ)
Mixing and mastering: Daniel Dalarossa
Recordings: Estúdio Umuarama (Rio de Janeiro, Brazil), and Estúdio 185 (São Paulo, Brazil)

Suggestion on how to use the accompaniment pack:

The accompaniment packs are basically a collection of audio tracks and music scores with an emphasis on a specific accompaniment instrument: cavaco, 6-string guitar or 7-string guitar.

For example, a cavaco pack contains:

  • audio track with pandeiro, cavaco and solo instrument
  • audio track with pandeiro and solo instrument
  • the full audio track with all instruments
  • audio track with all instruments except cavaco
  • C score with bass transcription for the choro

We have added the complete transcription of the 6-string guitar realization in a score (numbered chords, chord voicing and rhythm patterns, conventions, etc) to the 6-string guitar pack. We have included the tablature (TAB) to the score in addition to the formal musical notation.

1) Listen to the full track, following the score(s) to get acquainted with the choro form, harmony, breaks, dynamics, rhythm, conventions, etc.

2) With the audio containing only pandeiro, your instrument and solo, dive into the execution specifics of the instrument by the master player of our original recording. Lower the tempo, loop difficult segments, etc, until you get it. The volume of the solo instrument has been slightly decreased, so you can clearly observe all the nuances of the original instrument performance.

3) Now play the instrument part yourself with the pandeiro and solo track.

4) When you feel you have it in your fingers, you can use the track with all instruments minus the instrument to have the full experience.

It is important to mention that you will always find the best choro musicians and choro ensembles from Brazil in our recordings. You can see the bio and picture of the base musicians on this page.

André Bellieny

Self-taught, studied with Dino 7 cordas in 1994 and Luiz Otávio Braga in 1995. Founded Conjunto Sarau in 1997 with Bruno Rian (mandolin), Sérgio Prata (cavaquinho) and Agenor (pandeiro). Performed with band “Caluda Tamborins” in Mário Lago’s show “Causos e Canções” for 4 years. Bellieny has been playing with Regional Época de Ouro since 2005.

Darly Guimarães

Darly Ângelo Guimarães was born in 1935 (RJ) and passed away in 2010. At 17 was invited by pianist Cesar Cruz to join “Regional de Joao de Oliveira.” With the departure of Joao de Oliveira, Darly took over and the ensemble was named “Regional de Darly do pandeiro.” In 1964 left Radio Maua to join Radio Rio de Janeiro, staying there for about a year. Darly was the organizer of “Conjunto Esquema 6” and in 1978 joined Deo Rian’s regional “Noites Cariocas” where he stayed until his death.

Márcio Almeida

Born in Rio de Janeiro, started his professional career at 14 years old. In 1997 won two Sharp music awards (best CD and best ensemble) with the CD “Paulo Moura e os Batutas.” In 2000 won the Latin Grammy Award with the same CD. Recorded with Chico Buarque, Fundo de Quintal, Bezerra da Silva, Altamiro Carrilho, Paulo Moura, Beth Carvalho, Martinho da Vila, Zeca Pagodinho, Exalta Samba, Ivan Lins, Leila Pinheiro, Elba Ramalho, among others.

Ubyratan de Oliveira

Ubyratan Vitor de Oliveira, Bira, was born in 1939 in Rio de Janeiro. Self-taught, plays cavaquinho since 15 years of age. He was part of the Regional de Pernambuco do Pandeiro, along with Hermeto Pascoal, and later moved to Rádio Mauá, where he stayed for 10 years. Besides being a musician, Bira also worked as a radiotelegraphist at Panair, Varig and The Ministry of Agriculture. He joined “Regional de Déo Rian” replacing Marcio Hulk, who had left to play with Altamiro Carrilho.

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Jacob do Bandolim 2 (2nd edition) – Doce de Coco – Cavaco pack and options https://choroplaybacks.com/shop/jacob-do-bandolim-2-2nd-edition/jacob-do-bandolim-2-2nd-edition-doce-de-coco-cavaco-pack-and-options/?utm_source=rss&utm_medium=rss&utm_campaign=jacob-do-bandolim-2-2nd-edition-doce-de-coco-cavaco-pack-and-options Sat, 10 Jul 2021 14:06:31 +0000 https://choroplaybacks.com/?post_type=product&p=6439 "how to" suggestion below)

All the items below in a pack – $ 7.50

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Choro ensemble

André Bellieny – 7-string guitar
Darly Guimarães – pandeiro
Márcio Almeida – 6-string guitar
Ubyratan de Oliveira – cavaquinho

Credits

Arrangements for the choro ensemble (base music): André Bellieny, Darly Guimarães, Márcio Almeida, Ubyratan de Oliveira and Daniel Dalarossa
Transcription and edition of scores: Daniel Dalarossa
Harmony transcription and revision: Italo Peron
Recording and editing: Ricardo Calafate (Estúdio Umuarama – RJ)
Mixing and mastering: Daniel Dalarossa
Recordings: Estúdio Umuarama (Rio de Janeiro, Brazil), and Estúdio 185 (São Paulo, Brazil)


Suggestion on how to use the accompaniment pack:

The accompaniment packs are basically a collection of audio tracks and music scores with an emphasis on a specific accompaniment instrument: cavaco, 6-string guitar or 7-string guitar.

For example, a cavaco pack contains:

  • audio track with pandeiro, cavaco and solo instrument
  • audio track with pandeiro and solo instrument
  • the full audio track with all instruments
  • audio track with all instruments except cavaco
  • C score with bass transcription for the choro

We have added the complete transcription of the 6-string guitar realization in a score (numbered chords, chord voicing and rhythm patterns, conventions, etc) to the 6-string guitar pack. We have included the tablature (TAB) to the score in addition to the formal musical notation.

1) Listen to the full track, following the score(s) to get acquainted with the choro form, harmony, breaks, dynamics, rhythm, conventions, etc.

2) With the audio containing only pandeiro, your instrument and solo, dive into the execution specifics of the instrument by the master player of our original recording. Lower the tempo, loop difficult segments, etc, until you get it. The volume of the solo instrument has been slightly decreased, so you can clearly observe all the nuances of the original instrument performance.

3) Now play the instrument part yourself with the pandeiro and solo track.

4) When you feel you have it in your fingers, you can use the track with all instruments minus the instrument to have the full experience.

It is important to mention that you will always find the best choro musicians and choro ensembles from Brazil in our recordings. You can see the bio and picture of the base musicians on this page.


André Bellieny

Self-taught, studied with Dino 7 cordas in 1994 and Luiz Otávio Braga in 1995. Founded Conjunto Sarau in 1997 with Bruno Rian (mandolin), Sérgio Prata (cavaquinho) and Agenor (pandeiro). Performed with band “Caluda Tamborins” in Mário Lago’s show “Causos e Canções” for 4 years. Bellieny has been playing with Regional Época de Ouro since 2005.

Darly Guimarães

Darly Ângelo Guimarães was born in 1935 (RJ) and passed away in 2010. At 17 was invited by pianist Cesar Cruz to join “Regional de Joao de Oliveira.” With the departure of Joao de Oliveira, Darly took over and the ensemble was named “Regional de Darly do pandeiro.” In 1964 left Radio Maua to join Radio Rio de Janeiro, staying there for about a year. Darly was the organizer of “Conjunto Esquema 6” and in 1978 joined Deo Rian’s regional “Noites Cariocas” where he stayed until his death.

Márcio Almeida

Born in Rio de Janeiro, started his professional career at 14 years old. In 1997 won two Sharp music awards (best CD and best ensemble) with the CD “Paulo Moura e os Batutas.” In 2000 won the Latin Grammy Award with the same CD. Recorded with Chico Buarque, Fundo de Quintal, Bezerra da Silva, Altamiro Carrilho, Paulo Moura, Beth Carvalho, Martinho da Vila, Zeca Pagodinho, Exalta Samba, Ivan Lins, Leila Pinheiro, Elba Ramalho, among others.

Ubyratan de Oliveira

Ubyratan Vitor de Oliveira, Bira, was born in 1939 in Rio de Janeiro. Self-taught, plays cavaquinho since 15 years of age. He was part of the Regional de Pernambuco do Pandeiro, along with Hermeto Pascoal, and later moved to Rádio Mauá, where he stayed for 10 years. Besides being a musician, Bira also worked as a radiotelegraphist at Panair, Varig and The Ministry of Agriculture. He joined “Regional de Déo Rian” replacing Marcio Hulk, who had left to play with Altamiro Carrilho.

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