| Choro Playbacks https://choroplaybacks.com Reference in professional choro backing tracks Mon, 14 Oct 2024 21:35:37 +0000 en-US hourly 1 https://wordpress.org/?v=6.2.8 https://choroplaybacks.com/wp-content/uploads/2020/12/cropped-logocm-32x32.png | Choro Playbacks https://choroplaybacks.com 32 32 177472215 Joaquim Callado (2nd edition) – eBook/audio options https://choroplaybacks.com/shop/joaquim-callado-2nd-edition/joaquim-callado-2nd-edition-ebook/?utm_source=rss&utm_medium=rss&utm_campaign=joaquim-callado-2nd-edition-ebook https://choroplaybacks.com/shop/joaquim-callado-2nd-edition/joaquim-callado-2nd-edition-ebook/#respond Tue, 14 Jul 2020 04:49:09 +0000 https://choroplaybacks.com/shop/uncategorized/joaquim-callado-2nd-edition-ebook/ “Joaquim Callado (2nd edition).” Cover, choro ensemble musicians bio, what is choro?, short chronologic biography of the composer, what is his significance?, comments about the scores, a word about improvisation in choro, scores in C, B♭ or E♭. ]]> From the songbook “Joaquim Callado (2nd edition).” Cover, choro ensemble musicians bio, what is choro?, short chronologic biography of the composer, what is his significance?, comments about the scores, a word about improvisation in choro, scores in C, B♭ or E♭.

 

SOLOISTS:

“A Dengosa” by Roberto Sion (saxofone alto), “A Flor Amorosa” by Gabriela Machado (flauta), “Como é Bom” by Aleh Ferreira (bandolim), “Conceição” by Gabriela Machado (flauta), “Florinda” by Ricardo Calafate (bandolim),  “Hermenêutica” by Toninho Carrasqueira (flauta), “Improviso” by Leonardo Miranda (flauta), “Linguagem do Coração” by Paulo Sérgio Santos (clarinete), “Querida por Todos” by Antonio Rocha (flauta), “Sedutora” by Alexandre Ribeiro (clarinete), “Último Suspiro” by Derico (saxofone tenor), “Salomé” by Izaias do Bandolim (bandolim)

“As Choronas”

Ana Cláudia – cavaquinho
Paola Picherzky – 7-string guitar
Rosana Bergamasco – 6-string guitar
Roseli Câmara – pandeiro

Credits

Arrangements and adaptations: Daniel Dalarossa, except for “Salomé”, arrangement for the mandolin and flute by Roberto Sion
Transcription, edition, and revision of scores: Tatiana Mazurek
Harmony transcription and revision: Marco Bertaglia
Arrangements for the choro ensemble (base music): “As Choronas” (Paola Picherzky, Roseli Câmara, Rosana Bergamasco, and Ana Cláudia) and Daniel Dalarossa
Solo recordings: Estúdio 185 (São Paulo, Brazil), Estúdio Umuarama (Rio de Janeiro, Brazil), Tonelada Estúdio de Gravação (São Paulo, Brazil), and Global Choro Music Studio (Fremont, CA)
Recordings of the Choro Ensemble, editing, mixing and mastering: Estúdio 185, by Beto Mendonça

]]> https://choroplaybacks.com/shop/joaquim-callado-2nd-edition/joaquim-callado-2nd-edition-ebook/feed/ 0 4449 Joaquim Callado (2nd edition) – Como é Bom https://choroplaybacks.com/shop/joaquim-callado-2nd-edition/joaquim-callado-2nd-edition-como-e-bom/?utm_source=rss&utm_medium=rss&utm_campaign=joaquim-callado-2nd-edition-como-e-bom https://choroplaybacks.com/shop/joaquim-callado-2nd-edition/joaquim-callado-2nd-edition-como-e-bom/#respond Sun, 28 Jun 2020 03:06:48 +0000 https://choroplaybacks.com/shop/uncategorized/joaquim-callado-2nd-edition-como-e-bom/ “Joaquim Callado (2nd edition).” Scores for instruments in C, B♭ and E♭. Full track with solo(s) by Aleh Ferreira (mandolin).]]> Como é Bom, by Joaquim Callado, from the songbook “Joaquim Callado (2nd edition).” Scores for instruments in C, B♭ and E♭. Full track with solo(s) by Aleh Ferreira (mandolin).

“As Choronas”

Ana Cláudia – cavaquinho
Paola Picherzky – 7-string guitar
Rosana Bergamasco – 6-string guitar
Roseli Câmara – pandeiro

Credits

Arrangements and adaptations: Daniel Dalarossa, except for “Salomé”, arrangement for the mandolin and flute by Roberto Sion
Transcription, edition, and revision of scores: Tatiana Mazurek
Harmony transcription and revision: Marco Bertaglia
Arrangements for the choro ensemble (base music): “As Choronas” (Paola Picherzky, Roseli Câmara, Rosana Bergamasco, and Ana Cláudia) and Daniel Dalarossa
Solo recordings: Estúdio 185 (São Paulo, Brazil), Estúdio Umuarama (Rio de Janeiro, Brazil), Tonelada Estúdio de Gravação (São Paulo, Brazil), and Global Choro Music Studio (Fremont, CA)
Recordings of the Choro Ensemble, editing, mixing and mastering: Estúdio 185, by Beto Mendonça

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