| Choro Playbacks

Abel Ferreira – eBook/audio options

Choro Playbacks — Wed, 01 Dec 2021 22:47:31 +0000

Cover, choro ensemble musicians bio, what is choro?, short chronologic biography of the composer, what is his significance?, comments about the scores, a word about improvisation in choro, scores in C, B♭ or E♭.

Soloists

“Acariciando” by Nailor Proveta (alto saxophone), “Chorando Baixinho” by Nailor Proveta (clarinet), “Chorando no Choro” by Nailor Proveta (clarinet), “Chorinho ao Luar” by Nailor Proveta (clarinet), “Chorinho do Bruno” by Nailor Proveta (clarinet), “Chorinho do Suvaco de Cobra” by Nailor Proveta (soprano saxophone), “Doce Melodia” by Nailor Proveta (clarinet, alto saxophone), “Doce Mentira” by Nailor Proveta (clarinet), “Haroldo no Choro” by Nailor Proveta (clarinet), “Sai da Frente” by Nailor Proveta (clarinet), “Uma Noite em São Borja” by Nailor Proveta (alto saxophone), “Vânia” by Nailor Proveta (alto saxophone).

Musicians

João Camarero (7-string guitar), Italo Peron (6-string guitar), Henrique Araújo (cavaco), Rafael Toledo (pandeiro, ganzá, caixeta, reco-reco), Daniel Dalarossa (flutes).

All solos by Nailor “Proveta” (clarinet, alto and soprano sax).

Credits

Arrangements and harmony transcription: Italo Peron
Musical revision:Italo Peron
Mixing and mastering:Daniel Dalarossa and Italo Peron
Recordings:Rodrigo Carrara (Estúdio 185 - São Paulo/SP)

Abel Ferreira – Chorinho do Suvaco de Cobra

Choro Playbacks — Wed, 01 Dec 2021 22:45:25 +0000

Chorinho do Suvaco de Cobra, by Abel Ferreira, from the songbook “Abel Ferreira.” Scores for instruments in C, B♭ and E♭. Full track with solo(s) by Nailor Proveta (soprano sax).

Musicians

João Camarero (7-string guitar), Italo Peron (6-string guitar), Henrique Araújo (cavaco), Rafael Toledo (pandeiro, ganzá, caixeta, reco-reco), Daniel Dalarossa (flutes).

All solos by Nailor “Proveta” (clarinet, alto and soprano sax).

Credits

Zequinha de Abreu (2nd edition) – eBook/audio options

Choro Playbacks — Tue, 14 Jul 2020 04:49:25 +0000

From the songbook “Zequinha de Abreu (2nd edition).” Cover, choro ensemble musicians bio, what is choro?, short chronologic biography of the composer, what is his significance?, comments about the scores, a word about improvisation in choro, scores in C, B♭ or E♭.

SOLOISTS:

“A Bruta” by Derico (soprano saxophone), “Não Creio em Ti” by Paulo Sérgio Santos (clarinet), “Bafo de Onça” by Roberto Sion (alto saxophone), “Ideal Desfeito” by Nailor Proveta (clarinet), “Levanta Poeira” by Leonardo Miranda (flute), “Não me Toques” by Nailor Proveta (clarinet), “Branca” by Izaias do Bandolim (mandolin), “Olhos Esquivos” by Alexandre Ribeiro (clarinet), “Os Pintinhos no Terreiro” by Antonio Rocha (piccolo), “Sururu na Cidade” by Aleh Ferreira (mandolin), “Tardes em Lindoya” by Ricardo Calafate (mandolin), “Tico-Tico no Fubá” by Toninho Carrasqueira (flute) and Daniela Spielmann (tenor saxophone)

“Época de Ouro”

André Bellieny – 6-string guitar
Jorge Filho – cavaquinho
Jorginho do Pandeiro – pandeiro
Toni 7 Cordas – 7-string guitar

Credits

Edition and revision of scores: Italo Peron and Daniel Dalarossa
Harmony and numbered chords revision (2nd ed.): Italo Peron
Arrangements for the choro ensemble (base music): Época de Ouro (Toni 7 Cordas, André Bellieny, Jorginho do Pandeiro and Jorge Filho) and Daniel Dalarossa
Solo recordings: Estúdio Umuarama (Rio de Janeiro, Brazil), Estúdio 185 (São Paulo, Brazil), and Tonelada Estúdio de Gravação (São Paulo, Brazil)
Recordings of the Choro Ensemble: Estúdio Umuarama (Rio de Janeiro, RJ), by Ricardo Calafate
Editing and mixing: Ricardo Calafate and Daniel Dalarossa

Severino Araújo 1 – eBook/audio options

Choro Playbacks — Tue, 14 Jul 2020 04:49:20 +0000

From the songbook “Severino Araújo 1.” Cover, choro ensemble musicians bio, what is choro?, short chronologic biography of the composer, what is his significance?, comments about the scores, a word about improvisation in choro, scores in C, B♭ or E♭.

SOLOISTS:

“Além do Horizonte” by Franklin da Flauta (flauta), “Espinha de Bacalhau” by Daniela Spielmann (saxofone soprano), “Gafanhoto Manco” by Daniel Dalarossa (flauta), “Mirando-te” by Hudson Nogueira (saxofone alto), “Mumbaba” by Mané Silveira (saxofone soprano), “Pensando em Você” by Otinilo Pacheco (clarinete), “Simplesmente” by Julie Koidin (flauta), “Um Chorinho Delicioso” by Izaias do Bandolim (bandolim), “Um Chorinho Modulante” by Hudson Nogueira (clarinete), “Um Chorinho em Montevidéu” by Michel Moraes (clarinete), “Um Chorinho pra Você” by Mané Silveira (saxofone soprano), “Nivaldo no Choro” by Mário Sève (saxofone soprano) e Daniela Spielmann (saxofone tenor)

Choro ensemble

André Bellieny – 7-string guitar
Darly Guimarães – pandeiro
Márcio Almeida – 6-string guitar
Ubyratan de Oliveira – cavaquinho

Credits

Arrangements and adaptations: Daniel Dalarossa, except for “Nivaldo no Choro,” arranged by Mário Sève for tenor/soprano sax
Harmony transcription and revision: Marco Bertaglia
Arrangements for the choro ensemble (base music): André Bellieny, Darly Guimarães, Márcio Almeida, Ubyratan de Oliveira, and Daniel Dalarossa
Solo recordings: Estúdio Umuarama (Rio de Janeiro, Brazil), Estúdio 185 (São Paulo, Brazil), and Woodside Ave. Music Productions Inc. (Chicago, IL.)
Recordings of the Choro Ensemble, editing, mixing, and mastering: Estúdio Umuarama, by Ricardo Calafate

Jacob do Bandolim 2 (2nd edition) – eBook/audio options

Choro Playbacks — Tue, 14 Jul 2020 04:49:07 +0000

From the songbook “Jacob do Bandolim 2 (2nd edition).” Cover, choro ensemble musicians bio, what is choro?, short chronologic biography of the composer, what is his significance?, comments about the scores, a word about improvisation in choro, scores in C, B♭ or E♭.

SOLOISTS:

“Biruta” by Dirceu Leite (clarinete), “Carícia” by Bruno Rian (bandolim), “Doce de Coco” by Julie Koidin (flauta), “Encantamento” by Danilo Brito (bandolim), “Eu e Você” by Fernando de Oliveira (clarinete), “Implicante” by Carlos Malta (saxofone soprano), “Mágoas” by Daniel Dalarossa (flauta), “Nosso Romance” by Danilo Brito (bandolim), “Receita de Samba” by Franklin da Flauta (flauta), “Simplicidade” by Déo Rian (bandolim), “Vascaíno” by Mário Sève (saxofone soprano), “Sapeca” by Daniela Spielmann (saxofone tenor) e Mário Sève (saxofone alto)

Choro ensemble

André Bellieny – 7-string guitar
Darly Guimarães – pandeiro
Márcio Almeida – 6-string guitar
Ubyratan de Oliveira – cavaquinho

Credits

Arrangements for the choro ensemble (base music): André Bellieny, Darly Guimarães, Márcio Almeida, Ubyratan de Oliveira and Daniel Dalarossa
Transcription and edition of scores: Daniel Dalarossa
Harmony transcription and revision: Italo Peron
Recording and editing: Ricardo Calafate (Estúdio Umuarama – RJ)
Mixing and mastering: Daniel Dalarossa
Recordings: Estúdio Umuarama (Rio de Janeiro, Brazil), and Estúdio 185 (São Paulo, Brazil)

Jacob do Bandolim 1 (2nd edition) – eBook/audio options

Choro Playbacks — Tue, 14 Jul 2020 04:49:06 +0000

From the songbook “Jacob do Bandolim 1 (2nd edition).” Cover, choro ensemble musicians bio, what is choro?, short chronologic biography of the composer, what is his significance?, comments about the scores, a word about improvisation in choro, scores in C, B♭ or E♭.

“Bole-Bole” by Marcelo Bernardes (flauta), “Cristal” by Déo Rian (bandolim), “De Coração a Coração” by Izaias do Bandolim (bandolim), “Migalhas de Amor” by Mário Marques (clarinete), “Nostalgia” by Bruno Rian (bandolim), “Remelexo” by Izaias do Bandolim (bandolim), “Reminiscências” by Daniel Dalarossa (flauta), “Tatibitate” by Marcelo Bernardes (flauta), “Treme-Treme” by João Francisco (clarinete), “Vale-Tudo” by Dirceu Leite (clarinete), “Vibrações” by Mário Sève (saxofone soprano), “Gostosinho” by Mário Sève (saxofone soprano) e Daniela Spielmann (saxofone tenor)

Choro ensemble

André Bellieny – 7-string guitar
Darly Guimarães – pandeiro
Márcio Almeida – 6-string guitar, cavaquinho
Ubyratan de Oliveira – cavaquinho

Ernesto Nazareth 3 (2nd edition) – eBook/audio options

Choro Playbacks — Tue, 14 Jul 2020 04:49:04 +0000

From the songbook “Ernesto Nazareth 3 (2nd edition).” Cover, choro ensemble musicians bio, what is choro?, short chronologic biography of the composer, what is his significance?, comments about the scores, a word about improvisation in choro, scores in C, B♭ or E♭.

SOLOISTS:

“A Fonte do Lambary” by Daniela Spielmann (saxofone soprano), “Atlântico” by Nailor Proveta (clarinete), “Desengonçado” by Daniel Dalarossa (flauta), “Gentes! O Imposto Pegou?” by Ted Falcon (bandolim), “Julita” by Daniel Allain (flauta), “Labirinto” by Milton Mori (bandolim), “Sarambeque” by Daniel Dalarossa (flauta), “Turbilhão de Beijos” by Daniel Dalarossa (flauta), “Bombom” by Harvey Wainapel (clarinete), “Gaúcho” by Toninho Carrasqueira (flauta), “Ideal” by Daniel Allain (flauta)

Choro ensemble

Arnaldinho do Cavaco – cavaquinho
Guta do Pandeiro – pandeiro
Israel Bueno de Almeida – 7-string guitar
Marco Bertaglia – 6-string guitar

Credits

Arrangements and adaptations: Daniel Dalarossa and Roberta Marcinkowski, except for “Labirinto,” arranged by Daniel Dalarossa and Milton Mori
Harmony transcription and revision: Roberta Marcinkowski, Luca Raele, and Marco Bertaglia
Arrangements for the choro ensemble (base music): Israel Bueno, Marco Bertaglia, Arnaldinho do Cavaco, Guta do Pandeiro, and Daniel Dalarossa
Recordings: YB Estúdios SP (São Paulo, Brazil) and 510 Studios (Fremont, CA)
Recording, editing, mixing and mastering: Carlos Lima and Beto Machado at YB Estúdios SP

Ernesto Nazareth 2 (2nd edition) – eBook/audio options

Choro Playbacks — Tue, 14 Jul 2020 04:49:01 +0000

From the songbook “Ernesto Nazareth 2 (2nd edition).” Cover, choro ensemble musicians bio, what is choro?, short chronologic biography of the composer, what is his significance?, comments about the scores, a word about improvisation in choro, scores in C, B♭ or E♭.

SOLOISTS:

“Bambino” by Daniela Spielmann (saxofone soprano, saxofone tenor), “Brejeiro” by Izaias do Bandolim (bandolim), “Confidências” by Toninho Carrasqueira (flauta), “Escorregando” by Luca Raele (clarinete), “Faceira” by Daniel Dalarossa (flauta), “Nenê” by Daniel Dalarossa (flauta), “Perigoso” by Daniel Dalarossa (flauta), “Ranzinza” by Daniel Dalarossa (flauta), “Topázio Líquido” by Daniel Dalarossa (flauta), “Zizinha” by Daniel Dalarossa (flauta), “Ouro Sobre Azul” by Daniela Spielmann (saxofone soprano)

Choro ensemble

Arnaldinho do Cavaco – cavaquinho
Betinho Sodré – pandeiro
Edmilson Capelupi – 7-string guitar
Lula Gama – 6-string guitar

Credits

Arrangements and adaptations: Daniel Dalarossa, Roberta Marcinkowski, and Tatiana Mazurek - except for “Confidências,” arranged by Toninho Carrasqueira, and “Bambino,” arranged for saxophones by Daniel Dalarossa
Harmony transcription: Luca Raele, Roberta Marcincowski, and Marco Bertaglia
Arrangements for the choro ensemble (base music): Edmilson Capelupi
Gravações: Cake Walk Estúdio (São Paulo, Brazil), 510 Studios (Fremont, CA), Acceso Studio (Milpitas, CA), Song Writers Studio (Fremont, CA), Estúdio Umuarama (Rio de Janeiro, Brazil), and Estúdio 185 (São Paulo, Brazil)
Mastering: Estúdio Sonic Máster by Pedro Marin

Choro meets Ragtime – eBook/audio options

Choro Playbacks — Tue, 14 Jul 2020 04:48:46 +0000

From the songbook “Choro meets Ragtime.” Cover, choro ensemble musicians bio, what is choro?, short chronologic biography of the composer, what is his significance?, comments about the scores, a word about improvisation in choro, scores in C, B♭ or E♭.

SOLOISTS:

“Dill Pickles” by Izaias do Bandolim (bandolim), “Dusty Rag” by Tatiana Mazurek (flauta), “Hungarian Rag” by Nailor Proveta (clarinete), “Nightingale Rag” by Daniel Dalarossa (flauta), “Ophelia” by Harvey Wainapel (clarinete), “Ragtime Dance” by Nailor Proveta (saxofone alto), “Searchlight Rag” by Izaias do Bandolim (bandolim), “Spaghetti Rag” by Daniel Dalarossa (flauta), “The Entertainer” by Harvey Wainapel (clarinete), “Pine Apple Rag” by Mário Sève (saxofone soprano, saxofone tenor)

“Época de Ouro”

André Bellieny – 6-string guitar
Jorge Filho – cavaquinho
Jorginho do Pandeiro – pandeiro
Toni 7 Cordas – 7-string guitar

Credits

Arrangements and adaptations:“Pine Apple Rag”: arranged for saxophones by Mário Sève; all other songs: Daniel Dalarossa
Arrangements for the choro ensemble (base music): André Bellieny, Daniel Dalarossa, Jorge Filho, Jorginho do Pandeiro, and Toni 7 Cordas
Transcription, edition, and revision of scores: Tatiana Mazurek
Harmony transcription and revision: Marco Bertaglia and Daniel Dalarossa
Editing, mixing, and mastering: Estúdio Umuarama, by Ricardo Calafate
Recordings: Estúdio Umuarama (Rio de Janeiro, Brazil), and Estúdio 185 (São Paulo, Brazil)

Choro meets Bach (3rd edition) – eBook/audio options

Choro Playbacks — Tue, 14 Jul 2020 04:48:45 +0000

From the songbook “Choro meets Bach (3rd edition).” Cover, choro ensemble musicians bio, what is choro?, short chronologic biography of the composer, what is his significance?, comments about the scores, a word about improvisation in choro, scores in C, B♭ or E♭.

SOLOISTS:

“BWV 208.9” by Daniela Spielmann (saxofone soprano) e Daniel Dalarossa (flauta), “BWV 1006.3” by Rodrigo Lessa (bandolim), “BWV 893” by Daniel Dalarossa (flauta) e Luis Afonso “Montanha” (clarone), “BWV 939” by Nailor Proveta (clarinete), “BWV 1013.1” by Daniel Dalarossa (flauta), “BWV 21.3” by Daniela Spielmann (saxofone soprano) e Daniel Dalarossa (flauta), “BWV 578” Nailor Proveta (clarinete), Alexandre Ribeiro (clarinete, clarinete) e Luis Afonso ‘Montanha’ (clarone), “BWV 1009.5” by Nailor Proveta (clarinete), “BWV 785” by Alexandre Ribeiro (clarinete) e Luis Afonso ‘Montanha’ (clarone), “BWV 1013.4” by Daniel Dalarossa (flauta), “BWV 881” by Daniel Dalarossa (flauta1, flauta2), “BWV 1056.2” by Daniel Dalarossa (flauta), “BWV 209.1” by Nailor Proveta (clarinete) e Toninho Carrasqueira (flauta), “Musica notturna delle strade di Madrid” by Daniel Dalarossa (flauta)

Choro ensemble

Alessandro Cardozo – cavaquinho
Charlles da Costa – 6-string guitar
Netinho Albuquerque – pandeiro
Paulão (7 cordas) – 7-string guitar

Credits

Arrangements and adaptations: Daniel Dalarossa
Arrangements for the choro ensemble (base music): Alessandro Cardoso, Charlles da Costa, Paulão (7 cordas), Netinho Albuquerque and Daniel Dalarossa
Editing and revision of scores: Daniel Dalarossa
Harmony transcription and revision: Daniel Dalarossa (BWV21.3, BWV939), Jonathan Salzedo and Daniel Dalarossa (BWV208.9, BWV893), Marco Bertaglia (BWV785, BWV881, BWV1006.3, BWV1009.5) and Italo Peron (BWV209.1, BWV578, BWV1013.1, BWV1013.4, BWV1056.2)
Recordings of the Choro Ensemble, editing, mixing, and mastering: Estúdio Umuarama, by Ricardo Calafate
Solo recordings: Estúdio Umuarama (Rio de Janeiro, Brazil), Estúdio 185 (São Paulo, Brazil), Global Choro Music Studios (Fremont, CA)