| Choro Playbacks

Abel Ferreira – eBook/audio options

Choro Playbacks — Wed, 01 Dec 2021 22:47:31 +0000

Cover, choro ensemble musicians bio, what is choro?, short chronologic biography of the composer, what is his significance?, comments about the scores, a word about improvisation in choro, scores in C, B♭ or E♭.

Soloists

“Acariciando” by Nailor Proveta (alto saxophone), “Chorando Baixinho” by Nailor Proveta (clarinet), “Chorando no Choro” by Nailor Proveta (clarinet), “Chorinho ao Luar” by Nailor Proveta (clarinet), “Chorinho do Bruno” by Nailor Proveta (clarinet), “Chorinho do Suvaco de Cobra” by Nailor Proveta (soprano saxophone), “Doce Melodia” by Nailor Proveta (clarinet, alto saxophone), “Doce Mentira” by Nailor Proveta (clarinet), “Haroldo no Choro” by Nailor Proveta (clarinet), “Sai da Frente” by Nailor Proveta (clarinet), “Uma Noite em São Borja” by Nailor Proveta (alto saxophone), “Vânia” by Nailor Proveta (alto saxophone).

Musicians

João Camarero (7-string guitar), Italo Peron (6-string guitar), Henrique Araújo (cavaco), Rafael Toledo (pandeiro, ganzá, caixeta, reco-reco), Daniel Dalarossa (flutes).

All solos by Nailor “Proveta” (clarinet, alto and soprano sax).

Credits

Arrangements and harmony transcription: Italo Peron
Musical revision:Italo Peron
Mixing and mastering:Daniel Dalarossa and Italo Peron
Recordings:Rodrigo Carrara (Estúdio 185 - São Paulo/SP)

Abel Ferreira – Vânia

Choro Playbacks — Wed, 01 Dec 2021 22:47:19 +0000

Vânia, by Abel Ferreira, from the songbook “Abel Ferreira.” Scores for instruments in C, B♭ and E♭. Full track with solo(s) by Nailor Proveta (alto sax).

Musicians

João Camarero (7-string guitar), Italo Peron (6-string guitar), Henrique Araújo (cavaco), Rafael Toledo (pandeiro, ganzá, caixeta, reco-reco), Daniel Dalarossa (flutes).

All solos by Nailor “Proveta” (clarinet, alto and soprano sax).

Credits

Abel Ferreira – Uma Noite em São Borja

Choro Playbacks — Wed, 01 Dec 2021 22:46:38 +0000

Uma Noite em São Borja, by Abel Ferreira, from the songbook “Abel Ferreira.” Scores for instruments in C, B♭ and E♭. Full track with solo(s) by Nailor Proveta (alto sax).

Musicians

João Camarero (7-string guitar), Italo Peron (6-string guitar), Henrique Araújo (cavaco), Rafael Toledo (pandeiro, ganzá, caixeta, reco-reco), Daniel Dalarossa (flutes).

All solos by Nailor “Proveta” (clarinet, alto and soprano sax).

Credits

Abel Ferreira – Doce Melodia

Choro Playbacks — Wed, 01 Dec 2021 22:45:31 +0000

Doce Melodia, by Abel Ferreira, from the songbook “Abel Ferreira.” Scores for instruments in C, B♭ and E♭. Full track with solo(s) by Nailor Proveta (clarinet, alto sax).

Musicians

João Camarero (7-string guitar), Italo Peron (6-string guitar), Henrique Araújo (cavaco), Rafael Toledo (pandeiro, ganzá, caixeta, reco-reco), Daniel Dalarossa (flutes).

All solos by Nailor “Proveta” (clarinet, alto and soprano sax).

Credits

Abel Ferreira – Acariciando

Choro Playbacks — Wed, 01 Dec 2021 22:44:26 +0000

Acariciando, by Abel Ferreira, from the songbook “Abel Ferreira.” Scores for instruments in C, B♭ and E♭. Full track with solo(s) by Nailor Proveta (alto sax).

Musicians

João Camarero (7-string guitar), Italo Peron (6-string guitar), Henrique Araújo (cavaco), Rafael Toledo (pandeiro, ganzá, caixeta, reco-reco), Daniel Dalarossa (flutes).

All solos by Nailor “Proveta” (clarinet, alto and soprano sax).

Credits

Zequinha de Abreu (2nd edition) – eBook/audio options

Choro Playbacks — Tue, 14 Jul 2020 04:49:25 +0000

From the songbook “Zequinha de Abreu (2nd edition).” Cover, choro ensemble musicians bio, what is choro?, short chronologic biography of the composer, what is his significance?, comments about the scores, a word about improvisation in choro, scores in C, B♭ or E♭.

SOLOISTS:

“A Bruta” by Derico (soprano saxophone), “Não Creio em Ti” by Paulo Sérgio Santos (clarinet), “Bafo de Onça” by Roberto Sion (alto saxophone), “Ideal Desfeito” by Nailor Proveta (clarinet), “Levanta Poeira” by Leonardo Miranda (flute), “Não me Toques” by Nailor Proveta (clarinet), “Branca” by Izaias do Bandolim (mandolin), “Olhos Esquivos” by Alexandre Ribeiro (clarinet), “Os Pintinhos no Terreiro” by Antonio Rocha (piccolo), “Sururu na Cidade” by Aleh Ferreira (mandolin), “Tardes em Lindoya” by Ricardo Calafate (mandolin), “Tico-Tico no Fubá” by Toninho Carrasqueira (flute) and Daniela Spielmann (tenor saxophone)

“Época de Ouro”

André Bellieny – 6-string guitar
Jorge Filho – cavaquinho
Jorginho do Pandeiro – pandeiro
Toni 7 Cordas – 7-string guitar

Credits

Edition and revision of scores: Italo Peron and Daniel Dalarossa
Harmony and numbered chords revision (2nd ed.): Italo Peron
Arrangements for the choro ensemble (base music): Época de Ouro (Toni 7 Cordas, André Bellieny, Jorginho do Pandeiro and Jorge Filho) and Daniel Dalarossa
Solo recordings: Estúdio Umuarama (Rio de Janeiro, Brazil), Estúdio 185 (São Paulo, Brazil), and Tonelada Estúdio de Gravação (São Paulo, Brazil)
Recordings of the Choro Ensemble: Estúdio Umuarama (Rio de Janeiro, RJ), by Ricardo Calafate
Editing and mixing: Ricardo Calafate and Daniel Dalarossa

Severino Araújo 1 – eBook/audio options

Choro Playbacks — Tue, 14 Jul 2020 04:49:20 +0000

From the songbook “Severino Araújo 1.” Cover, choro ensemble musicians bio, what is choro?, short chronologic biography of the composer, what is his significance?, comments about the scores, a word about improvisation in choro, scores in C, B♭ or E♭.

SOLOISTS:

“Além do Horizonte” by Franklin da Flauta (flauta), “Espinha de Bacalhau” by Daniela Spielmann (saxofone soprano), “Gafanhoto Manco” by Daniel Dalarossa (flauta), “Mirando-te” by Hudson Nogueira (saxofone alto), “Mumbaba” by Mané Silveira (saxofone soprano), “Pensando em Você” by Otinilo Pacheco (clarinete), “Simplesmente” by Julie Koidin (flauta), “Um Chorinho Delicioso” by Izaias do Bandolim (bandolim), “Um Chorinho Modulante” by Hudson Nogueira (clarinete), “Um Chorinho em Montevidéu” by Michel Moraes (clarinete), “Um Chorinho pra Você” by Mané Silveira (saxofone soprano), “Nivaldo no Choro” by Mário Sève (saxofone soprano) e Daniela Spielmann (saxofone tenor)

Choro ensemble

André Bellieny – 7-string guitar
Darly Guimarães – pandeiro
Márcio Almeida – 6-string guitar
Ubyratan de Oliveira – cavaquinho

Credits

Arrangements and adaptations: Daniel Dalarossa, except for “Nivaldo no Choro,” arranged by Mário Sève for tenor/soprano sax
Harmony transcription and revision: Marco Bertaglia
Arrangements for the choro ensemble (base music): André Bellieny, Darly Guimarães, Márcio Almeida, Ubyratan de Oliveira, and Daniel Dalarossa
Solo recordings: Estúdio Umuarama (Rio de Janeiro, Brazil), Estúdio 185 (São Paulo, Brazil), and Woodside Ave. Music Productions Inc. (Chicago, IL.)
Recordings of the Choro Ensemble, editing, mixing, and mastering: Estúdio Umuarama, by Ricardo Calafate

Joaquim Callado (2nd edition) – eBook/audio options

Choro Playbacks — Tue, 14 Jul 2020 04:49:09 +0000

From the songbook “Joaquim Callado (2nd edition).” Cover, choro ensemble musicians bio, what is choro?, short chronologic biography of the composer, what is his significance?, comments about the scores, a word about improvisation in choro, scores in C, B♭ or E♭.

SOLOISTS:

“A Dengosa” by Roberto Sion (saxofone alto), “A Flor Amorosa” by Gabriela Machado (flauta), “Como é Bom” by Aleh Ferreira (bandolim), “Conceição” by Gabriela Machado (flauta), “Florinda” by Ricardo Calafate (bandolim), “Hermenêutica” by Toninho Carrasqueira (flauta), “Improviso” by Leonardo Miranda (flauta), “Linguagem do Coração” by Paulo Sérgio Santos (clarinete), “Querida por Todos” by Antonio Rocha (flauta), “Sedutora” by Alexandre Ribeiro (clarinete), “Último Suspiro” by Derico (saxofone tenor), “Salomé” by Izaias do Bandolim (bandolim)

“As Choronas”

Ana Cláudia – cavaquinho
Paola Picherzky – 7-string guitar
Rosana Bergamasco – 6-string guitar
Roseli Câmara – pandeiro

Credits

Arrangements and adaptations: Daniel Dalarossa, except for “Salomé”, arrangement for the mandolin and flute by Roberto Sion
Transcription, edition, and revision of scores: Tatiana Mazurek
Harmony transcription and revision: Marco Bertaglia
Arrangements for the choro ensemble (base music): “As Choronas” (Paola Picherzky, Roseli Câmara, Rosana Bergamasco, and Ana Cláudia) and Daniel Dalarossa
Solo recordings: Estúdio 185 (São Paulo, Brazil), Estúdio Umuarama (Rio de Janeiro, Brazil), Tonelada Estúdio de Gravação (São Paulo, Brazil), and Global Choro Music Studio (Fremont, CA)
Recordings of the Choro Ensemble, editing, mixing and mastering: Estúdio 185, by Beto Mendonça

Jacob do Bandolim 2 (2nd edition) – eBook/audio options

Choro Playbacks — Tue, 14 Jul 2020 04:49:07 +0000

From the songbook “Jacob do Bandolim 2 (2nd edition).” Cover, choro ensemble musicians bio, what is choro?, short chronologic biography of the composer, what is his significance?, comments about the scores, a word about improvisation in choro, scores in C, B♭ or E♭.

SOLOISTS:

“Biruta” by Dirceu Leite (clarinete), “Carícia” by Bruno Rian (bandolim), “Doce de Coco” by Julie Koidin (flauta), “Encantamento” by Danilo Brito (bandolim), “Eu e Você” by Fernando de Oliveira (clarinete), “Implicante” by Carlos Malta (saxofone soprano), “Mágoas” by Daniel Dalarossa (flauta), “Nosso Romance” by Danilo Brito (bandolim), “Receita de Samba” by Franklin da Flauta (flauta), “Simplicidade” by Déo Rian (bandolim), “Vascaíno” by Mário Sève (saxofone soprano), “Sapeca” by Daniela Spielmann (saxofone tenor) e Mário Sève (saxofone alto)

Choro ensemble

André Bellieny – 7-string guitar
Darly Guimarães – pandeiro
Márcio Almeida – 6-string guitar
Ubyratan de Oliveira – cavaquinho

Credits

Arrangements for the choro ensemble (base music): André Bellieny, Darly Guimarães, Márcio Almeida, Ubyratan de Oliveira and Daniel Dalarossa
Transcription and edition of scores: Daniel Dalarossa
Harmony transcription and revision: Italo Peron
Recording and editing: Ricardo Calafate (Estúdio Umuarama – RJ)
Mixing and mastering: Daniel Dalarossa
Recordings: Estúdio Umuarama (Rio de Janeiro, Brazil), and Estúdio 185 (São Paulo, Brazil)

Ernesto Nazareth 1 (2nd edition) – eBook/audio options

Choro Playbacks — Tue, 14 Jul 2020 04:48:57 +0000

From the songbook “Ernesto Nazareth 1 (2nd edition).” Cover, choro ensemble musicians bio, what is choro?, short chronologic biography of the composer, what is his significance?, comments about the scores, a word about improvisation in choro, scores in C, B♭ or E♭.

SOLOISTS:

“Ameno Resedá” by Izaias do Bandolim (bandolim), “Apanhei-te, Cavaquinho!” by Daniel Dalarossa (flauta), “Odeon” by Daniel Dalarossa (flauta), “Eponina” by Daniel Dalarossa (flauta), “Escovado” by Daniel Dalarossa (flauta), “Está Chumbado” by Mário Sève (saxofone alto), “Expansiva” by Daniel Dalarossa (flauta), “Favorito” by Daniel Dalarossa (flauta), “Matuto” by Daniel Dalarossa (flauta), “Tenebroso” by Daniel Dalarossa (flauta), “Batuque” by Izaias do Bandolim (bandolim) and Daniel Dalarossa (flauta)

Choro ensemble

Arnaldinho do Cavaco – cavaquinho
Betinho Sodré – pandeiro
Edmilson Capelupi – 7-string guitar
Lula Gama – 6-string guitar

Credits

Arrangements and adaptations: Daniel Dalarossa, Roberta Marcinkowski and Tatiana Mazurek - except for “Batuque,” arranged by Daniel Dalarossa and Toninho Carrasqueira, and “Expansiva,” arranged by Toninho Carrasqueira
Harmony transcription: Luca Raele, Roberta Marcincowski and Marco Bertaglia
Arrangements for the choro ensemble (base music): Edmilson Capelupi
Recordings: Cake Walk Estudio (São Paulo, Brazil), 510 Studios (Fremont, CA), Acceso Studio (Milpitas, CA), Song Writers Studio (Fremont, CA)
Mastering: Estúdio Sonic Máster, by Pedro Marin